One too many mornings…

Tags: , - June 18th, 2009   

From the crossroads of my doorstep,
My eyes they start to fade,
As I turn my head back to the room
Where my love and I have laid.
An’ I gaze back to the street,
The sidewalk and the sign,
And I’m one too many mornings
An’ a thousand miles behind.

- Bob Dylan

It’s time to leave Xela – right now I’m sitting in a hotel in Guatemala City, waiting for a flight to Canada tomorrow. I’ve been in Guatemala now for over a year, and I’ve made some great friends, reconnected with folks I met when here in 2006, and got some good work done. That said it’s time to move on, at least for a while, and the time is right, if not slightly overdue. When I left here before I felt like I was rushing off, leaving things undone, and while I could easily stay and work more now, I don’t feel the same unsettledness as a did before. I’m happy with what I achieved, and looking forward to moving ahead with new projects, and ideas that I started here over the last year.

Right now the plan is to head to Canada, get my legs under me, and then see where it leads. I’m in the process of researching a project in Spain, and that will probably be the next big push, but also looking to get a few other projects underway while up North. Send out several small tendrils, not so much as fall backs in case I can’t get Spain sorted, but to keep things interesting before and after.

In any case, thanks Guatemala, it’s been a lot of fun. Take care, be safe, and we’ll talk again soon, yeah? This one is for you:

NPAC Q&A

Tags: - June 14th, 2009   

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NPAC, the News Photographers Association of Canada just published a Q&A with me about my work. A nice selection of questions that try to look back to photographer’s beginnings, as well as quiz them about how they stay sharp, what they think about new technologies, etc. Funnily enough the photographer Q&A before mine was from Jonathan Taggart, who I met last year in the Magnum Workshop. I always seem to end up in good company.

Thanks to Tanya for getting this set up.

Images online from Nicaragua

Tags: , - June 10th, 2009   

040409-granada-065Click above to view a larger version of this image

I just finished working through the selection of images from Nicaragua. As per usual I’ve uploaded a set of images to lucasmulder.com, as well as the complete set of selects to PhotoShelter.

Dzamarvelous

Tags: , , - May 16th, 2009   

This video is my most favourite thing right now, I can’t stop watching it. Put together by Patrick Daughters and Marcel Dzama for the Department of Eagles latest single, No one does it like you.

Genius.

Nicaragua

Tags: , - May 13th, 2009   

nicaraguamartyrsClick above to view a larger version of this image.

Just spent the last 10 days in Nicaragua with Simca visiting some friends of hers from school. Pretty much just time away, though I managed to take some photographs in the local markets, as well as some random street photography. The above is taken in the Heroes and Martyrs museum in Estelí, a town in northern Nicaragua which saw heavy fighting during the revolution. The mothers of the Sandinista fighters killed now run the small museum featuring photographs, letters, personal effects of the fighters, etc. The outside of some of the surrounding buildings are still peppered with bullet holes that were purposely left in honour of the town’s fight against Somoza.

Verve Photo

Tags: , - April 29th, 2009   

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One of my photos from the Day of the Dead here in Guatemala is featured in Verve Photo this week. Verve has an impressive database of photographers featured, and it’s nice to be amongst their company. Geoffrey Hiller, the person behind Verve, also has a great blog about his ongoing work in Bangladesh.

Proust’s longest sentence?

Tags: , , - April 21st, 2009   

proust-on-his-deathbed

“Their honour precarious, their liberty provisional, lasting only until the discovery of their crime; their position unstable, like that of the poet who one day was feasted at every table, applauded in every theatre in London, and on the next was driven from every lodging, unable to find a pillow upon which to lay his head, turning the mill like Samson and saying like him: “The two sexes shall die, each in a place apart!”; excluded even, save on the days of general disaster when the majority rally round the victim as the Jews rallied round Dreyfus, from the sympathy – at times from the society – of their fellows, in whom they inspire only disgust at seeing themselves as they are, portrayed in a mirror which, ceasing to flatter them, accentuates every blemish that they have refused to observe in themselves, and makes them understand that what they have been calling their love (a thing to which, playing upon the word, they have by association annexed all that poetry, painting, music, chivalry, asceticism have contrived to add to love) springs not from an ideal of beauty which they have chosen but from an incurable malady; like the Jews again (save some who will associate only with others of their race and have always on their lips ritual words and consecrated pleasantries), shunning one another, seeking out those who are most directly their opposite, who do not desire their company, pardoning their rebuffs, moved to ecstasy by their condescension; but also brought into the company of their own kind by the ostracism that strikes them, the opprobrium under which they have fallen, having finally been invested, by a persecution similar to that of Israel, with the physical and moral characteristics of a race, sometimes beautiful, often hideous, finding (in spite of all the mockery with which he who, more closely blended with, better assimilated to the opposing race, is relatively, in appearance, the least inverted, heaps upon him who has remained more so) a relief in frequenting the society of their kind, and even some corroboration of their own life, so much so that, while steadfastly denying that they are a race (the name of which is the vilest of insults), those who succeed in concealing the fact that they belong to it they readily unmask, with a view less to injuring them, though they have no scruple about that, than to excusing themselves; and, going in search (as a doctor seeks cases of appendicitis) of cases of inversion in history, taking pleasure in recalling that Socrates was one of themselves, as the Israelites claim that Jesus was one of them, without reflecting that there were no abnormals when homosexuality was the norm, no anti-Christians before Christ, that the disgrace alone makes the crime because it has allowed to survive only those who remained obdurate to every warning, to every example, to every punishment, by virtue of an innate disposition so peculiar that it is more repugnant to other men (even though it may be accompanied by exalted moral qualities) than certain other vices which exclude those qualities, such as theft, cruelty, breach of faith, vices better understood and so more readily excused by the generality of men; forming a freemasonry far more extensive, more powerful and less suspected than that of the Lodges, for it rests upon an identity of tastes, needs, habits, dangers, apprenticeship, knowledge, traffic, glossary, and one in which the members themselves, who intend not to know one another, recognize one another immediately by natural or conventional, involuntary or deliberate signs which indicate one of his congeners to the beggar in the street, in the great nobleman whose carriage door he is shutting, to the father in the suitor for his daughter’s hand, to him who has sought healing, absolution, defence, in the doctor, the priest, the barrister to whom he has had recourse; all of them obliged to protect their own secret but having their part in a secret shared with the others, which the rest of humanity does not suspect and which means that to them the most wildly improbable tales of adventure seem true, for in this romantic, anachronistic life the ambassador is a bosom friend of the felon, the prince, with a certain independence of action with which his aristocratic breeding has furnished him, and which the trembling little cit would lack, on leaving the duchess’s party goes off to confer in private with the hooligan; a reprobate part of the human whole, but an important part, suspected where it does not exist, flaunting itself, insolent and unpunished, where its existence is never guessed; numbering its adherents everywhere, among the people, in the army, in the church, in the prison, on the throne; living, in short, at least to a great extent, in a playful and perilous intimacy with the men of the other race, provoking them, playing with them by speaking of its vice as of something alien to it; a game that is rendered easy by the blindness or duplicity of the others, a game that may be kept up for years until the day of the scandal, on which these lion-tamers are devoured; until then, obliged to make a secret of their lives, to turn away their eyes from the things on which they would naturally fasten them, to fasten them upon those from which they would naturally turn away, to change the gender of many of the words in their vocabulary, a social constraint, slight in comparison with the inward constraint which their vice, or what is improperly so called, imposes upon them with regard not so much now to others as to themselves, and in such a way that to themselves it does not appear a vice.”

It would seem so… 17 times around a wine bottle if you’re speaking French.

Voces de Cambio on Flickr

Tags: , , - April 21st, 2009   

voces

I’ve written here before about Voces de Cambio, a program for young women here in Xela that uses writing and photography to foster self-confidence and creative growth, etc. I recently was made Artistic Director, which was both an honour and mildly amusing (in all the good ways.) One of the things on the to-do list has been to set up a Flickr account that we can use to showcase the images that appear in the final exhibition, both for the public as well as new members of the program, so they can get a sense of what’s come before them, and what it’s possible to accomplish during the course. So far we only have images from the latest session up, as I only have access to those, but the other two should be up shortly. Plus a new session starts shortly so there’ll be images up from that soon enough.

LM.com Redesigned

Tags: , - April 13th, 2009   

newwebsite

Well, I finally did it, redesigned my portfolio site, lucasmulder.com, and cut my ties completely with Flash. It started out as a fine romance, but over the last while I’ve been growing less and less plussed about using it as a means of displaying my work. Search engines don’t really like it, It’s harder to update on the fly, and the layout I seemed to be most drawn to didn’t give the user any choice of what to look at. The last iteration of my portfolio site, which brought these issues to a head, was always meant to be a placeholder while I figured out what was next. The answer to ‘what’s next’ came last week when I watched a video from PhotoShelter where they surveyed 550 photo editors on what they were looking for in a photographers website.

I was struck most by the comment that most photographers make websites to impress other photographers. I’m not so proud that I won’t admit that this was pretty much exactly what I had in mind during my last few site designs. Look around at what’s ‘cool’ and ‘dynamic,’ give them some thought on how to make it my own, and then code it. After watching the video I had pretty much mapped out a dozen or so ways I had gone wrong with my previous sites, and after a little work in Photoshop had mocked-up something that jelled with the aesthetics I’ve been cultivating for the last while, but also played well with the practise of working as a photographer. I also think that this version is just as dynamic as my previous sites, possibly more. It’s also much more connected with my other sites, which I’ve also been conscious of neglecting in previous iterations. It’s especially connected with my archive site, via a search field, and direct links to archived galleries, which is already pushing me to work and keep it updated, and get all the older work still lolling about my Aperture vaults uploaded.

I’m still adding some of the final touches, but it’s all pretty much there. Thanks go out to Thomas and Tanya for their help sorting out the ideas in my head over the last while. Cheers.

Cockfights

Tags: , - April 6th, 2009   

lm-cockfights-01Click to view the gallery.

Just finished working on the edits for the day spent at the cockfights, and I’ve uploaded a gallery to PhotoShelter, but have also included a selection here. To view click on the image above and then click within the larger image that’ll pop-up to navigate.

Cockfights are extremely popular in Cuba, and while still legal they’re held in clandestine locations as gambling on them is illegal, and there were some relatively large sums of money trading hands. I was told the ring was moved every couple weeks to dodge the police who occasionally try and crack down on the gambling, but I definitely got the sense that no-one in particular was very worried about it.

As with any blood sport it’s gruesome, but cockfighting has a long standing tradition in Cuba, and the birds are carefully bred to nurture the cunning that Cuban roosters are known for. I’ve been to the fights here in Guatemala, and those birds just ripped each other to shreds in 30 seconds flat via brute force, but the Cuban birds took their time, and seemed to use feints, blocks and counter-attacks to beat out their opponents. There was also an incredible amount of time spent in the air, with the majority of attacks coming from above.

The farmers that were watching the fights were incredibly passionate about the whole thing, spurring on their favoured bird, and screaming abuse at the other. After the fights there equal mobs around both the winning and the losing birds – jubilation and congratulation for one, and somber conciliation for the other.

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